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• 作者：枭 发布时间：2018-09-13 21:37:38

  《莉莉安无处不在》是青年新锐作家念语的科幻短片小说集，收录了《新生之门》、《九死一生》、《衡平公式》、《新星纪事》、《鲸落》、《莉莉安无处不在》、《女神的微笑》、《幽灵之舞》、《神语》、《流星坠落》、《源起三江》十一篇文章。

  读念语的这本书，还真是如序言所说，这是仰望星河的结果。整本书写的大多是星海征程，未来都市等。其中，令我过目难忘的，是《衡平公式》、《女神的微笑》、《幽灵之舞》和《流星坠落》四篇。

  《衡平公式》一文以一个喜爱汉字的外星人的口吻，讲述了贝纳卡一族的发展史。在我看过的科幻小说中，写海洋智慧生命体的很少。记得小时候在看盖亚奥特曼时，藤宫博也说过，人类都在拼命向宇宙探索，目光越过千百光年之外，却很少有人把目光投向孕育了最早生命的海洋。而作者从这一角度切入，本身就很新颖了。而作者以外星口吻的写作，更让我想起了泰利比森的《他们是肉造的》。这个星际侵略的故事，以人类的失败收场，如同其他科幻作家一样，给了自以为是的人类当头一击。

  《女神的微笑》如同一部科幻推理小说，一步步的惊心动魄，一次次的峰回路转，真相总在我们意料之外出现。疾病的传播，远不及人心来的恐怖。而随着时代的变迁，真相终究会浮现出来。

  《幽灵之舞》，典型的末日遐想。但让我惊叹的是它的完整与连贯性。新冰河期的降临，人类最终会像恐龙一样。读过这篇小说后，我从心底里感到一阵寒意。这篇小说太现实了，和《九死一生》、《新星纪事》和《莉莉安无处不在》一样，是披了科幻外衣的现实主义写作。之前读的末世小说里更多的是悲壮，可在这本书中，我感受到的，更多的是悲凉。

  《流星坠落》是整本书里最温情的一篇。这是一篇科幻童话。爱与希望，天真可爱，不失为一篇儿童科幻启蒙的读物。

  总的来说，念语的这本《莉莉安无处不在》，总基调是悲凉的。这是我看到的最具悲剧色彩的科幻小说。

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• 除了财富自由，人生还有什么可追求的？

  作者：猫小默 发布时间：2018-07-16 15:23:11

  

  前段时间我在樊登读书会听了《终身学习：人生的六堂必修课》这本书，那一期作者黄征宇也有参与，跟樊登老师一起介绍了书中的内容。

  当时听完我就对这本书有了兴趣，立刻上网买了一本。

  

  在这本书之前，我所接触到的大部分关于“终身学习”的书籍，都是教人为什么和怎么样锻炼持续的学习力，而这本书，则是作者用自己的学习计划向读者示范了他的

  “终身学习”是什么

  。

  除了财富自由，人生还有什么可以追求？书中的六堂必修课，供你参考。

  健康

  情绪

  思维

  关系

  事业

  财富

  1

  遭遇挫折时，给自己重新出发的机会

  

  从作者黄振宇的简历来看，他是一个不折不扣的人生赢家。

  出生于上海，10岁移民美国，在斯坦福大学获得了经济学学士学位、工业工程学士学位和计算机科学硕士学位，还在哈佛商学院获得了工商管理硕士学位。

  曾任Intel执行董事，在奥巴马授权下成为首位来自中国大陆的美国白宫特别助理。

  2008年回国并连续创业，在金融科技服务及跨国投资等领域获得巨大成功。

  精通五国语言，曾游历七十几个国家。

  但在2013年，他却遭受到了事业上的重大打击。

  某一天，他的三位合伙人，约他到咖啡厅坐一坐，一致提出希望他退出公司团队的决定。

  一开始，他感到无比地震惊，因为这几位合伙，都是多年来熟悉的朋友，一起经历过风风雨雨。而他也兢兢业业，除了睡觉以外，没有一刻不在为工作费心。

  会谈结束，他回到家，一夜无眠。看着太阳缓缓升起，他突然意识到，这也许是上天给他一次重新审视自己的机会。

  与其意志消沉，何不反省、精进自身？

  于是，他拿出之前制定了却一直没有时间去完成的学习计划，决定重新出发。

  2

  人生的六堂必修课，寻找大师逐一突破

  

  作者重新回顾自己的人生，在追求事业的过程中，发现自己也失去了很多的东西。为了把这些失去的东西捡回来，他给自己制定了六堂必修课。

  然后，他用一年的时间，花费50万美元，旅行10万里路，向世界20多位顶级大师学习。

  1.健康：

  “身体是革命的本钱”，健康，是黄征宇老师为自己安排的第一堂课。

  作为一个极其自律的人，多年以来，他都保持几乎每天一次的健身频率，也请了专业的教练进行指导。但到了2014年，身体的耐力和体脂率逐渐到达瓶颈，无论如何也难以上升。

  2014年，他找到了克里斯∙格辛，一个著名的健身教练，上了他的“12周增肌减脂训练课程”。之后，还和好莱坞巨星阿诺德∙施瓦辛格学习健身。

  这两位老师，都反复地强调同一点：

  不断挑战自己的身体，让它“不知所措”。

  规律的运动身体很快就能适应，更好的方法是，每天锻炼不同的部位，并适时增加强度。

  此外，他还跟全世界公认最强的“冰人”维姆∙霍夫学习，开发了身体的潜能，变得不怕冷了。

  2.情绪：

  怎么管理情绪？黄征宇老师决定先从认识情绪开始。他参加了保罗∙艾克曼的微表情课程，学习情绪在人脸上的体现。

  人们的情绪产生于爬行动物脑，跟智人脑比起来，它更直接、更快速，且更容易影响人类的行为。

  然后，他报名尼尔∙戈尔曼最负盛名的情商课程，学习更敏感地认知自己的情绪。

  只有先意识到情绪的存在，才能改变情绪诱因，从而管理自己的情绪。

  3.思维：

  一开始以为这一部分会是一些思考逻辑的介绍，看了之后却是神经语言程序学、跟故事大王讲故事，“随机应变”的即兴表演，和内观禅修。

  在这里我最感兴趣的是即兴表演。我在北京工作期间，有一次参加一个集会，在等朋友的间隙，被邀请参与了一次即兴表演的游戏，受益良多。

  这种游戏简单来说，就是

  用“是的…然后”（Yes…and）串联起来的一种表演形式

  。

  在平时，我们的惯性思维方式是“是的…不过”（Yes…but），但在这个游戏中，无论对方跟你说什么，你都必须肯定地回应过去。

  比如，我有一个礼物要送给你，无论是什么礼物，你都要高兴地接受，并给出一个理由。

  “我有一个礼物要送给你，是我吃剩的瓜子壳。”

  “是的，谢谢你，我觉得非常高兴，我刚好可以用它来剔牙。”

  当时我玩了好几个游戏，一开始觉得无厘头，也有点无所适从。但是在很短的时间内，几个陌生的人，却建立起了信任，也开了不少的脑洞。

  后来加了主办方的微信公众号，得知“即兴表演”，已经发展出超过了一百种的小游戏，而他们每隔一段时间都会举行一次，如果你有机会遇到，千万不要错过。

  4.关系：

  人类的幸福来源，有很大一部分，都来自群体中的归属感。跟家人在一起，我们感受到爱；跟朋友在一起，我们感受到关心和陪伴；跟同事在一起，我们感受到凝聚力……

  我们的思想、行为，无一不受到关系的影响。书中比较有趣的部分，是作者参加的一次“

  男性计划

  “。

  这是在女权主义影响力不断扩大的今天，帮助男人重新找回自己位置的课程。

  由一群男人在一起，参加传统的印度男人成人礼。

  在火堆前跳舞，找到自己内心中的动物原型；

  夜里被叫起，蒙住眼睛，只靠手搭着前人的肩膀，心怀着紧张和恐惧，慢慢地穿过森林；

  在汗屋里坦诚相见，分享关于自己的故事。

  什么是真正的男人？

  “

  能突破自己的历史往事，敢于承担责任，为他人负责，学会坦诚直面自己。

  ”

  5.事业和财富：

  黄征宇老师在哈佛商学院修得硕士学位，期间学习和分析了大量的商业案例。但在创业期间，他还是遇到了三个新的问题。

  我常常会碰到一些过去从来没有碰到过的问题，我甚至意识不到还会有这样的问题；

  我发现自己有些力不从心，不知道怎样才能更好地成长；

  这个世界变化太快了，应该如何适应？

  在《思考致富》一书中，给出了答案，个体的头脑是有限的，而群体的智慧是可以弥补个人的欠缺。

  “大头脑“，就是找到最优秀的人在一起，各自分享自己的见解，从别人的经验中吸取对自己有用的部分。

  3

  再完美的学习计划，也终究是别人的

  

  看《终身学习》这本书，跟我当年看大冰老师的《乖，摸摸头》后的感觉一样，那就是，“

  原来这个世界上，还有人是这样过日子的啊。

  ”

  同样的身体构造，面对同一个世界，却有着截然不同的生活方式。

  像这一类关于“是什么”的书籍，不是为了让你看完以后，就去过书中人的生活，而是让我们从别人的生活中，找到与自己有关的部分，去修炼、成长，并度过自己的一生。

  除了财富自由，人生还有什么可追求的？

  希望在你的心中，也同样有了答案。

  展开

• The Symbols in Araby

  作者：Leo Wu 发布时间：2007-05-14 16:18:28

  In literature, a symbol is a thing that stands for or suggests something else by reason of relationship, association, convention or accidental resemblance, especially a visible sign of something invisible. ［1］ Sometimes, symbols are created by the artists in their works. And by using them, the artists can interpret the objective world in a subjective perspective. So symbolism is an important means for a writer to create excellent works.

  As in the novel Araby, James Joyce used large amounts of symbolic imageries to create a typical setting, help the plots develop and indicate the hero’s characteristics. By analyzing the symbols in Araby, we can have a deep insight into the story and know the main theme in Dubliners better. And the symbols are as follows:

  1.

  Blind

  The North Richard Street was “blind”, and “I” used a blind to hide myself from being seen by Mangan’s sister. These are the two “blind” used in the novel.

  The first one is an adjective, which means that the street is closed at one end. As it’s a blind street, people living in the street are difficult to communicate with the ones outside. So it indicates the station of un-open up of Dublin as well as Ireland. But the people living in the street are all pleased with the situation. ［2］ So the boy wished to get away from it. This helps the plot develop.

  As for the second “blind”, it is a noun. By using the blind, Mangan’s sister couldn’t see me. However, the blind also prevented me from seeing her clearly. This indicates that the boy’s dream was only a childish dream (Mangan’s sister); it is hard to be realized for “I” only “watched it from a blind”.

  2.

  Mangan’s sister

  Mangan’s sister was the girl to whom “I” had paid lots of attention; “I” watched her secretly; “I kept her brown figure always in my eye”; and when “I” was doing stranger prayers that “I” didn’t understand, her name sprang to my lips.

  These are all telling that Mangan’s sister is the boy’s dream, or his idol. But in the whole novel, the girl’s name hasn’t appeared. Why? Because what “I” know about my dream is only something superficial. My dream is just like the temple in the air, forming in the boy’s mind without any deep thinking or any deep understanding. “I” liked Mangan’s sister just as I liked The Memoirs of Vidocq, a book I found in the priest’s remains---“I liked the last best because its leaves were yellow.”

  This agrees with the boy’s age and his experience. He was a boy on the way of growing up and forming his own views of the society. But he was still too young to have a good understanding of the real world. Although we know that his dream could be easily broken, the most important thing is that he had a dream. This is also important for the Irishmen who were under the control of the British government then.

  3.

  The North Richmond Street

  The street was blind. Besides, the surroundings were all unpleasant. My house was full of “musty air”. The houses in the street “had grown sombre”. When my aunt and “I” went marketing, we were “jostled by drunken men and bargaining women, amid the curse…”

  As James Joyce said, the main theme of the novels in Dubliners was paralysis. And the condition of the North Richmond Street was a good proof for it. But in the whole Ireland as well, all the streets were almost the same. So Joyce turned to voluntary-exile to get rid of the unpleasant thing in Ireland. So do the boy in the novel. He had a strong hatred for the street, as is demonstrated by the sentence “I was thankful that I could see (the street) so little.”

  So the street was a symbol for the whole Ireland.

  4.

  Araby

  In the novel, the word “Araby” plays an important role, as it is the title word. And Araby is “a splendid bazaar” where Mangan’s sister recommended me to go.

  Araby is an old name for Arab. Besides, in the novel, it “cast an Eastern enchantment over me”. So Araby is a place with the Oriental fragrance in Dublin. And we can also see that the boy had a strong desire to make a trip there. So we can conclude that Araby is a dream new world for the boy, as Mangan’s sister is a fairy who guild the boy there.

  However, it seems that the other people, especially the elder people living in the street paid little attention to my desire. And my uncle just “answered me curtly” when “I” told him my plan to Araby. And he also went home too late that night to let me go to Araby on time. So this indicates again that Dubliners as well as the Irishmen were all paralyzed. They paid little attention to their dreams. ［3］ And they were well intentioned but narrow in the views and blind to higher values. This is what Joyce felt disappointed of.

  To our delight, my aunt indeed cared about my wish for Araby and blamed my uncle for being late. This shows that Joyce want to hold his wish for the future of Ireland. And when “I” got a florin from my uncle, “I” went to Araby immediately. However on my way there, the condition seemed to be a bit unpleasant. The train was “deserted”, “bare” and it had “an intolerable delay”. Even when the train started “slowly”, “it crept onward among ruinous houses”. These all indicate the difficulties one will confront on his way to the dream place. But anyhow at last “I” arrived at Araby late at night.

  But Araby, the dream new world for the boy, turned out to be “darkness” and “silence”. And the people who served me at the stall spoke to her customer “out of a sense of duty”. This all disappointed me.

  And there is a casual dialogue between two men and a woman in the novel. This dialogue had no special setting or surprising ending, but it was so real that when we read the words, we can imagine the scene in our mind. ［4］ But it is the dialogue, in addition with the other things the boy met in Araby, that disappointed me. So this is an allusion of the life of the young adults in Dublin who own the characteristic of ignorance and conventionalism.

  One the whole, the bazaar Araby indicates that even when the Irishmen were chasing their dream, they would be disappointed just because of their own society and their blind to the bright future. So Joyce became sad about the reality.

  5.

  The priest

  At the beginning of the novel, we know that a priest had been a tenant of the boy’s home. “He (the priest) had been a very charitable priest”, and he “had left all his money to the institutions and the furniture of his house to his sister”. So in this way, the priest was indeed a good citizen of Dublin.

  Besides, form the names of the books that “I” found, (The Abbot, The Devout Communicant and The Memoirs of Vidocq), of which one is about religion and two are about exploration, we can see that the priest was also an imaginative person. So he had given his life to both piety and flights of imaginations.

  However, the priest had gone, just like his “rusty bicycle-pump”, deserted and forgotten by other Dubliners. If all the good citizens had all gone away, how could Dublin be a good city? So the priest is a symbol of ht vital past, a contrast to the “blind” and paralyzed present. It tells us that the freedom of the Ireland has gone and people then had no passion for a bright future.

  On the other hand, the priest was also a symbol for religion belief because of his special status. In fact from the analysis before, we know that the priest was a man full of imagination. But in fact, a priest should be conventional. So this imaginative priest indicates Joyce’s doubt of the belief of Catholicism. ［5］

  6.

  Other subtle Symbols

  Besides the major symbols in Araby, there are still some subtle ones that could not be ignored.

  At the beginning of the novel, we can see “a central apple tree” in a “wild garden behind the house”. On seeing the words “Apple tree”, we can immediately think of the myth between Adam and Swan in the Garden of Eden. In this novel, the apple tree id a symbol for the boy’s first love as well as a wish to try something new. ［5］ But the tree was in a “wild garden behind the house”. The condition was so oppressed that the tree might not grow up robustly. This means that a trial for a new thing wasn’t encouraged by the Irish society, and the boy’s love towards Mangan’s sister couldn’t breed some results.

  Also at the beginning, “light form the kitchen windows had filled the areas”. (There are also some other descriptions of the light, such as “Some distant lamp or lighted window gleamed over me.”) From the analysis before, we know that the dark blind street is a symbol for Ireland. So here the light becomes a symbol for the country’s future. However, the light was from the kitchen window. How dim, how subtle! So Joyce here indicates the gloomy future for his own country.

  Besides, the “chalice” is mentioned when “I” went marketing with my aunt: “I imagined that I bore my chalice safely through the throng of foes.” Here the “chalice” is a symbol for the belief of Catholicism.

  James Joyce is famous for the using of “stream of consciousness” method in his works. But he is also good at setting proper background, creating symbols and using allusions. From the novel Araby, we can see a lot of symbols were created by Joyce and they located everywhere in the texts.

  However different people will read Joyce’s works form different perspective. So all the symbols listed above are just my own understanding of the novel Araby with the help of my teacher Miss Gao Fen and the works listed below. And I want to quote Professor Derek Attridge’s words to end my paper: “Joyce’s writing can reveal sources of fascination and exhilaration which you were not expecting to find, and if you feel at times that Joyce is laughing at you just as much as you are laughing at him, you have begun to appreciate the delightfully unsettling energies of his art.”

  Notes:

  ［1］：邓绪新，英语文学概论，武汉：武汉大学出版社，2002 P155-158

  ［2］：张秀清，《现实与梦想的差距——〈阿拉比〉的现实主义与象征主义双重层面解读》，福建行政学院福建经济管理干部学院学报，2004年增刊，P 160-162

  ［3］: 张建军,《从无知朦胧走向成熟--谈〈阿拉比〉中的象征主义手法》，江苏教育学院学报(社会科学版)，2004年l1月，P107—108

  ［4］：戴从容，乔伊斯小说的形式实验，北京：中国戏剧出版社，2005，P42-43

  ［5］：李漫萍，《寓意隽永的象征— 试论乔伊斯短篇小说的象征艺术》，广东教育学院学报，P27-31：2002年 11月

  Works cited:

  ［1］: the textbook of our course.

  ［2］: 詹姆斯 乔伊斯［爱尔兰］著，孙梁等译：都柏林人，上海：上海译文出版社，1984

  ［3］: Derek Attridge, The Cambridge Companion to James Joyce, Shanghai: Shanghai Foreign Language Education Press, 2000

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• 很有画面感

  作者：秋笋 发布时间：2015-11-25 10:00:41

  很有画面感的本小说，先看的安娜芳芳，再看这个，感觉瞬间就上升了不少，虽然写的太有画面感了，但是比起瞎掰来说还是很好看的。

  很有画面感的本小说，先看的安娜芳芳，再看这个，感觉瞬间就上升了不少，虽然写的太有画面感了，但是比起瞎掰来说还是很好看的。

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• 象个爷们儿一样·倒下～

  作者：伦敦上空的白 发布时间：2008-05-25 00:19:37

  罗伯特·卡帕是谁？史上最牛的战地摄影记者！他的照片毫无水准可言，他的一句话让全世界的记者都奉为入行守则，他喊海明威“爸爸”，二战结束的那天，他失恋了～

  毫不掩饰的讲：我是那么热烈地崇拜着卡帕，哪怕给此兄擦皮鞋我都会屁颠屁颠的跟随他转战南北！这是源于我对摄影的酷爱跟对战地记者的觊觎之心，当然还有对卡帕的敬意！

  这几天，我跟大部分的中国人一样得了地震抑郁症，除了这本书我每天基本都浑浑噩噩，其实还是有影响，本来一天就可以读完的小薄册居然整整看了一周，昨天才翻到最后一页——这下真的再也不必早上起床了！

  插一句：如果看到现在，你都不知道卡帕是谁，那你可以去干别的更有意义的事了。

  “战地记者能得到更多美酒，更多姑娘，更好的报酬，比士兵更多的自由，能够自由选择进攻的地点，并被允许做一个懦夫且不被处决。”

  （我不要姑娘，也不稀罕报酬，但我喜欢美酒和自由）

  卡帕用最幽默的语言说出了一个最危险的，也是最充满激情的行当！可惜，中国就连普通的记者都找不出几个像样的。比如这次的汶川地震报道，这不是打仗，可我们的记者大人们却都语无伦次了，一个个差强人意的傻问题争先恐后的甩给灾区人民，可怜他们刚逃出或者还没完全逃出地震的恐惧就得打起精神应付记者们的闪光灯跟话筒，还有一大堆没完没了的狗屁！啊咧～都是从豆瓣冷笑话小组出去的？

  看了这十几天的新闻报道，我只能说我们的灾区人民足够善良和坚强！面对记者们的无知，但愿别以为“记者”就是这么工作的。你们（说你们呢）给点专业精神和职业水准行不行嘛～我靠！

  Sorry，说起这事我就激动了，其实我们都需要冷静！冷静——是一个职业记者或者战地摄影记者必须具备的质素！我不知道卡帕在越南战场是怎么踩上那枚该死的地雷的，但卡帕的冷静和分析能力确实助他度过了大大小小的战役，包括二战。看这本书你会了解个七七八八，但卡帕又是疯狂的，宁愿从几千尺的高空跳伞到敌区，也不愿平庸的跟在地面部队迂回。这点很棒，想象一下他的热情吧，各位～

  这本书不厚，其实我不喜欢看薄书，总觉得该说的没说明白就结尾了。在没拿到这本书之前，我的想象是它应该很厚，不是吗，卡帕先生参加了整个二战，包括北非战场。光是一个诺曼底登陆就够写几百页的了～可是我尊敬的卡帕先生，这位一直坚持让《生活》会计部把他在部队打扑克赌输的钱报销的勇士，就只写了这个小册子，几百页。就跟他的摄影作品一样，没有太多的技巧性可言，焦点不够准确，裁切不够精当，色调不够丰富，但却无法掩盖其伟大，这本书也一样，还有他这个人！

  ——仅以此文献给我所尊敬的安得烈·弗里德曼先生，一位伟大的匈牙利战地摄影记者！干了这杯！

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